The Back Room

Continuing my series of images from the abandoned house that we discovered west of Tupelo, Mississippi…

After entering the door of the house and walking through the living room, you enter a back bedroom.  But don’t go in there too quickly, or you could find yourself standing on the ground.  The floorboards in the middle of the room have rotted to the point that there’s a huge, gaping hole, partially filled with the remains of carpet padding, where you can see the ground under the house.

I love the old windows with the triple panes at the top, through which the sunlight poured to illuminate the mess in front of us.  An open closet contained a few old coat hangers, one with the paper advertisement of the local dry cleaners still attached, telling us that this place must have been inhabited in the not-too-distant past.

We walked through here very gingerly, staying close to the walls to set up the tripod and camera to get this shot.  Enjoy!

Abandoned House - Back Room

 

Shot with my Nikon D700 and 14-24mm Nikkor glass.  Processed in Photomatix and Paint Shop Photo Pro, using Topaz Adjust filters.

The Living Room

Continuing the tour of the Abandoned House on Hwy 278

Upon entering the door of the old house, this is the sight that greets you.  Even though it’s sad to see a house in such disrepair, one can’t help but try and imagine what happened in this room.  Who lived here?  Were they happy?  Did something awful happen here that caused this place to be abandoned, to slowly return to the elements?

The room is coming apart, layer by layer.  Wood paneling on the ceiling gives way to acoustic tile, which gives way to insulation and wood.  Wallpaper gives way to older wallpaper, which gives way to wood. Multiple layers of flooring are peeling away, and the underlying structure is rotting back into the ground.

Only the brick in the fireplace seems permanent, although it too will eventually dissolve.

If only the walls could talk….

Abandoned House on Hwy 278 - Living Room

Shot with the Nikon D700 and my 14-24mm glass.  Six-exposure HDR.  Click on the photo and view as large as possible.

 

Quinceañera in Hermann Park

While we were walking around the Hermann Park area near the Medical Center in Houston, we came across several different photographers who were working with clients, taking advantage of the beautiful weather, flowering shrubs and distinctive architecture in the area.  We saw one photographer doing a bridal shoot in front of Rice University, and another unloading his equipment in front of the glamorous Hotel Zaza for some sort of social event.

But my favorite was this young Hispanic girl dressed in her quinceañera finery, standing in front of the statue of General Sam Houston where a photographer was capturing the occasion for the proud family.  I was fortunate to capture this shot with my 28-300mm lens in a less formal moment.

When I started processing the image, it seemed like a pretty mundane shot.  Nothing very memorable there, but I still thought the story was worth telling.  So I used the Topaz Adjust plug-in and selected a painterly filter which I tweaked slightly, and finally came up with an image that looked much more romantic and less harsh:

Quinceañera

For comparison, here’s the original unedited image:

Original unedited version

Original unedited version

To Color or Not

I really have a love affair with black and white photography, and I’m always looking for opportunities to drain all the color out of a shot and replace it with shades of gray.

But sometimes, I just can’t resist the blue of the sky against the green of the grass.

This was one of those times, so I just decided to have my cake and eat it, too.

Here’s a 9-bracket HDR of St. Paul’s Methodist Church in Houston, Texas, processed both in color and in black and white.  The HDR processing was done in Photomatix Pro V4, and the further editing was done in Paintshop Photo Pro X5.  For the black and white image, I used the Topaz B&W plug-in.

It was a little windy that day, so there’s some ghosting in the clouds as they were skittering across the sky, but I actually kind of like it so I didn’t attempt to process it away.

So, which do you like best?

St. Paul's Methodist Church - Houston TX (Color)

St. Paul's Methodist Church - Houston TX (B&W)

Texting God?

I love candid shots, and I love black-and-white photography.  And when I can combine the two, it makes my day!

While I was in the process of shooting brackets for HDR processing at St. Luke’s Methodist Church in Houston, I noticed this guy sitting on the steps in front of the huge wooden doors.  I’m not sure if he noticed me as I pointed the camera toward him, but if he did, he didn’t really care.  He was much more interested in his smartphone. 🙂

Texting God?

I processed this in Paintshop Photo Pro X5, using the Topaz Black & White plug-in. It’s one of my favorite shots from the trip.

Blue Suede Cruise Continued

There were so many great automotive machines at the Blue Suede Cruise, and they all made great subjects for some black-and-white photography. The people-watching was pretty sweet, too!  Here are a few more shots that I processed.  Click through on the photos to see them large on black, as they should be viewed.  Enjoy!!

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These were all made with my Nikon D5000 using an 18-55mm zoom.  All shots were processed in Paintshop Photo Pro X4 using Topaz Black & White Effects plug-in.  You can see some of the earlier shots that I posted here.

If you like my work, please subscribe to this blog and feel free to offer comments. You can also find me on:
Facebook at ZannWalker Photography
Twitter @suzanne_hight
My Official Website at http://zannwalker.com

Blue Suede Cruise in Tupelo

In all the excitement around last weekend’s supermoon, I almost forgot about the other huge event taking place in Tupelo last weekend — the Blue Suede Cruise.  This annual event features classic cars from all around the area, gathered together for a weekend of “cruising” all the historic areas of Tupelo, especially those related to the King.

The central gathering place for the Cruise was at the BancorpSouth Arena, but we saw these classic cars being driven all over town over the three-day weekend.  The rules stated that the cars had to be at least 25 years old, but exceptions were made for certain models like Corvettes, Thunderbirds, Prowlers, etc.

I took my Nikon D5000 with my 18-55mm lens (for a little wide-angle viewing) to the festivities on Saturday morning.  We spent about an hour admiring the many different vehicles on display, listening to the music, and soaking up the atmosphere.  I took quite a few shots, all single-exposures.  When I started processing them, they just called out to be processed in black-and-white, so that’s what I did.

Here are a few of my favorites that I’ve processed so far…I still have more to work on, but gotta save some for those days when I need something to do! 🙂

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And then there’s this shot….I have no idea why the guy behind the car has his belly on display!

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These were all processed in Paintshop Photo Pro X4, using Topaz Black & White Effects (which i dearly love!).  I’ll share more later as the mood strikes me.

Since moving to Tupelo last September, we’ve come to love the many festivals and events that bring out all the colorful characters and the best of the South.  Take a look back at some shots that I took at the recent “Don’t Be Cruel BBQ Duel“. (Starting to feel that “Elvis” vibe?)

If you like my work, please subscribe to this blog and feel free to offer comments. You can also find me on:
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Supermoon 2012

So, who DIDN’T go out last night to shoot the supermoon?

Since we don’t have any really high hills or mountains where I live, I decided to go for some moon-on-water reflection shots.  So I dragged the hubby along and we went to Lake Mohawk where my parents live, to grab not only some shots of the moon rising, but also of the sunset that would precede the big event.

The sky was mostly overcast with high, thin clouds all afternoon, but we decided to try for it anyway in hopes that the clouds would begin to break up in the late afternoon.  I decided to set up on a fishing pier about halfway between the east and west ends of the lake so that I could get water reflections from both the sunset in the west and the moonrise in the east.

We got there about 5:15 I think, which was way too early, so we wound up just hanging out for almost two hours before the sky got interesting, but it was pretty relaxing and gave us a chance to unwind a little bit from the week.  Just before sunset, I called my parents to let them know where we were, and they came down to the pier to join us for the festivities.

The clouds didn’t break up quite as much as I would have liked, and we were probably too close to the tree line to get the best angle on the rising moon.  But still I think I managed to come away with a few images that pleased me.

For the sunset shots, I used the Nikon D700 and shot brackets of five exposures for HDR processing.  I started off with the 14-24 wide angle lens, and finished up with the 28-300 telephoto zoom.  I’ve processed these as HDR’s using Photomatix v4, Paintshop Photo Pro X4, and Topaz DeNoise.  On a side note, since I used both lenses for the same basic shots, I’ve finally figured out that the spots that keep appearing in the photos in the upper left quadrant of the sky must be dust on my sensor.  Ugh.  I used the Object Remove tool in Paintshop Pro to get rid of as many as possible, but I may have to take the camera to have it cleaned.

Sunset Before SuperMoon 01

Sunset Before Supermoon 02

When the moon started rising, I used the zoom to try and get some of the detail.  Later I widened my zoom to capture the reflection of the moon on the water, which to me was a much more interesting composition than just the moon in the sky (which EVERYONE was shooting).  These are all single images processed in Paintshop Photo Pro X4 with Topaz DeNoise:

Supermoon Rising

Supermoon at Lake Mohawk 01

Supermoon at Lake Mohawk 02
If you like my work, please subscribe to this blog and feel free to offer comments. You can also find me on:
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Meet Ti and JJ

Meet Ti and JJ.  These two goofballs are the grandsons of our next door neighbor, and they visit just about every weekend.  They are typical boys–always into mischief, full of energy, bound-and-determined to participate in whatever you might be doing in the yard.  One weekend Ti, the youngest, helped me wash my car (if you can call squirting the water hose in every imaginable direction “helping”).  JJ, the oldest, is always into something he shouldn’t be into….one day we watched him climb the fence in the backyard and then burst into tears when he realized he was too scared to get down.

Today we had the lawn sprinkler running in the front yard, and since the temperatures were in the 80’s, it was just too much for the boys to resist.  They spent a joyful half hour playing in the water, and were more than happy to pose for photos:

Ti and JJ 01

Ti and JJ 04

Ti and JJ 03

Ti and JJ 02

Ti and JJ 05

All images were shot with my Nikon D700 and the 28-300mm Nikkor zoom lens.  Processed in Paintshop Photo Pro X4, using Topaz Black & White Effects.

If you like my work, please subscribe to this blog and feel free to offer comments. You can also find me on:
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My Official Website at http://zannwalker.com

Back in the Saddle

For the past few weeks I’ve been totally obsessed with my iPhone, playing with all the apps that are available for editing those photos that I’ve taken on the fly.  It’s a lot of fun, it’s quick and it’s easy.  But it’s not the same as the satisfaction I get from taking out the full-frame Nikon 700 with a 50mm prime lens to capture image in a way that the iPhone never will.

This evening I took my camera with me to the Women’s Hospital in hopes of getting some photos of my brand new great-niece, but there was a sign on the door that they weren’t taking visitors right then, so we just left them a note at the visitors’ desk and left.  On the way home, however, I decided to make a quick stop at Veterans Park as the sun was just slipping behind the trees.  I figured, I had the camera with me, might as well shoot a few frames.

I wasn’t sure what I would come away with since the golden hour was already past, but I upped the ISO to 500 and opened up the aperture and took a few shots of the welcoming committees of geese that came to greet us.  I processed a few of these when I got home, and was pretty pleased with the results.  I like the shallow depth of field that resulted from the wide open aperture, it seems to make the geese “pop” from the background.

Let me know what you think!  Better than Instagram? 🙂

Pretty Ducks All In A Row

Grungy Geese

Must Not Be Biting

If you like my work, please subscribe to this blog and feel free to offer comments. You can also find me on:
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