Getting Ready to Show

Last year I joined a local photography club, Southern Light Photography, here in Tupelo to meet some other people who share my interest in this art form, and who might help inspire me to take more photos and improve my work. The club is preparing to do our first show of 2015, which will be held at the Elvis Presley Birthplace during the entire month of March.

We’re each supposed to choose up to four photos for the show, get them printed at least 11×14, and then have them framed in a standard gallery format (black frame with white mat). So for the past couple of weeks I’ve been going through all my old shots, trying to decide which ones I wanted to prepare for the show. Since printing and framing costs can get expensive, I want to be picky about what I select.

In the process of reviewing the photos, I kept noticing that my images always looked much more saturated in Paint Shop Pro than they did when viewed in any other application. It was driving me batty.  I used my Spyder calibration tool and recalibrated the monitor, but that did not solve the problem. Every time I processed a photo in Paint Shop Pro, it looked perfect…but then when I viewed the finished image in any other application it would look washed out and dull. So, I was afraid to get anything printed, as I didn’t know which version would be likely to come back from the lab.

Finally, I sent off some test prints to MPIX, and when they returned it was obvious that the color rendering in Paint Shop Pro was off. The prints matched the more muted versions that I saw in the other applications. I did some more research and also posted a question in the Corel user forum. I finally got a response today, and it confirmed what I had begun to suspect–the monitor calibration process was the culprit (sort of)!

When I calibrate the monitor with my Spyder, it allows me to save the calibration profile, which is then loaded up each time the computer fires up. All the other applications were using this new profile, but Paint Shop Pro was not. I had to go into the color management menu and manually change the setting for the color profile to the new one that was created when the monitor was last calibrated. After I did that, the image looked consistent with what I was seeing in other applications (i.e. Microsoft Image Viewer, Topaz, Lightroom). Yes, I said Lightroom. At one point I got so frustrated that I actually downloaded a trial version of Lightroom to see if it rendered the colors the same as Paint Shop Pro, but it rendered them in the more muted version like the other applications.

So, now that I got the settings corrected in PSP, I was able to do some quick edits on a couple more photos and then I made my final selection for the ones that I’m going to put in the gallery show. I ordered 12×18 prints of each from MPIX tonight, using a 50% off promo code. Once I get the prints in, I’ll decide if I’m going to have all four framed.

finalfour

I’m still struggling with getting motivated to shoot anything new. I’m stuck in the house all day for work, and it’s dark and cold by the time the workday ends. But I’ve got to get my shots done for my first weekly challenge, so today I at least put my camera battery on the charger to get ready. One step at a time. 🙂

Gallery Space

Continuing my series of images from our recent visit to Jerome, Arizona:

Many, if not most, of the structures in Jerome have been abandoned at one time or another, but they have been reoccupied by artists and gallery owners, as well as restaurant owners, bed-and-breakfast operators and souvenir hawkers.

While strolling around Jerome we came across the studio of a glass-blower which occupies a once-abandoned building.  I used a set of three brackets to produce this black-and-white HDR image.  At the upper left you can see the windows of the glass-blower’s studio–he has a beautiful view of the Verde Valley below that must be such an inspiration for his work.  Just outside his windows you can see the crumbled, abandoned part of the building which gives it such character.

While I like the colors in the original, I wanted to go with black-and-white to emphasize the textures of the brick, plaster, concrete, tin, sheet metal, and the mountainside in the background.  I also think that the black-and-white just fits the time period of the original building:

Gallery Space

And just for grins, here’s what the original photo looked like. This JPG was converted from the original raw file with no processing applied. This is the normal exposure bracket:

What do you think? Would the color version be more effective?  Should I re-do the HDR as a color version?

If you like my work, please subscribe to this blog and feel free to offer comments. You can also find me on:
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ZannWalker.com is Live!

It’s a big day! I finally settled on a host site for my online gallery. I’m using zenfolio.com, a fantastic online photo gallery application that will allow me to present my best work, offer a password-protected gallery to clients, and sell my work (hopefully!!).

And…they allow you to link to your portfolio using your own domain name.

So….drum roll, please….introducing the official unveiling of ZannWalker.com!

I’m still adding photos to the galleries so the site has a limited number of photographs. But this is where I’ll display the images that I’m most proud of, and also where I’ll post the photos from various shoots that I do for clients.

I’ll still be using Flickr for my general photography sharing.  Nice to have so many choices.

Please check out ZannWalker.com and feel free to offer suggestions and ideas.

I appreciate your support!