Graffiti in the Old Cabin

I have a love/hate relationship with graffiti.  On the one hand, when it’s done right it tells a story, paints a picture and rouses a range of emotions, and it cries out to be shared with others.  Beautiful, artistic, colorful graffiti is one of my favorite photography subjects, and I’ve captured some fine examples of it in the past:

But when graffiti is done badly, and for no apparent reason, then it just becomes an eyesore.  It’s especially irritating to me when the graffiti marks up a historic building or a natural site that can’t be cleaned without being damaged.  Recently a young guy from Canada was arrested at the Grand Canyon for spray-painting his name (or at least the first part of it) on the stone face of one of the more popular formations along the heavily visited tourist route.  In his affidavit:

…Chenier told Robinson he chose the popular Duck on a Rock geological formation because “it was so special that if he left his name, then his kids would be able to see it 20 years from now.”

So now, in 20 years, Chenier’s children will be able to visit Grand Canyon and point to the rock formation where their father was arrested for being, at best, an idiot, and at worst, an arrogant ass.

Graffiti is a problem at every site where people are allowed to visit, especially when the people are young and “in love”.  On last weekend’s visit to Tishomingo State Park, I shot some bracketed photos inside the old cabin in the park, where hundreds of people have found themselves, for whatever reason, motivated and inspired to write something onto or carve something into the walls, ceiling and floor of this old building.

Tishomingo State Park - Cabin Graffiti
HDR from five bracketed photos shot with my Nikon D700, 28-300mm Nikkor. Processed in Photomatix Pro 4, Paintshop Photo Pro X3, Topaz Adjust / DeNoise.

I’m not sure how we can ever make it stop, but if one of your kids is responsible, please take him/her to the woodshed tonight–without a magic marker.

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Building 50 – Tishomingo State Park

It’s been a long dry spell, but we finally have our move behind us and are now located in Tupelo, Mississippi.  We’re still deep in the process of unpacking, organizing, and getting settled, but we decided to take a day off today and do a little shooting.  This afternoon we drove about forty miles northeast on the Natchez Trace to Tishomingo State Park, located in the far northeast corner of the state.  I have many fond memories of visiting this park  in my younger days, and although things are never quite as you remember them, many things about the park have not changed at all.

I took the tripod with me so I could shoot some HDR’s, and here’s the first example of what we saw today.  This is a restored log cabin from the 1840’s that sits alongside a small creek that runs through the park.  I could have sworn that at one time there was a big mill wheel attached to the side of the cabin, but that’s probably just another case of memories playing tricks on us.  Anyway, this is an HDR image from five brackets that particularly liked, as it also captured the mid-afternoon sun coming through the trees that are just in the early stages of developing their fall color.  In the far background, you can just see a small bridge that crosses the top of a man-made waterfall or spillway where water overflows from a little lily-pad-covered pond.

Building 50 - Tishomingo State Park
HDR processed in Photomatix Pro 4 and PaintShop Photo Pro X3

It was such a beautiful day, with temperatures in the low 70’s and not a cloud in the sky. As we drove up the Natchez Trace we saw a lot of fall color, although it’s not nearly at its peak. It’s such a change from the drab brown and tan of the desert, and it has already given my creative urges a big boost. I’m looking forward to seeing more of this beautiful state through the lens of my Nikon!

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Assay Office

I haven’t done an HDR image in a little while, so I pulled out some brackets from our last trip to Jerome.  This is the old Assay Office from the Gold King Mine ghost town in Jerome.  When I took the shot, it was almost high noon, and the lighting situation was getting pretty harsh.  I took a series of five brackets, and needed all five of them to get all the detail in this shot.  The items on the desk in the foreground were sitting in a patch of bright sunlight, while the back of the little office was almost completely shaded.  For situations like this, HDR rocks!

Assay Office
HDR created from five bracketed photos (-2.0 thru +2.0) processed in Photomatix v4. Post-processing in Topaz Adjust / DeNoise with Paintshop Photo Pro X3.

I really intended to get out and do some shooting this weekend, but somehow time has slipped away (again). The weather is starting to warm up now here in the Valley of the Sun, and it’s so much easier to just sleep late in the air-conditioned house than to get up early enough to get some quality camera time. However, we’re looking forward to our trip to Vancouver the first week in July for our 20th anniversary, and I’m planning to fill up every memory card I have with images from the Pacific Northwest. Can’t wait!

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Parking Lot at Gold King Mine

For tonight’s post, I’m pulled out some more unprocessed raw files from our last trip to Jerome.

There are a lot of abandoned vehicles on display at the Gold King Mine ghost town. Some look like they probably still run, others are obviously junkers.  They all probably have some great stories hidden beneath the rust and buried in the upholstery. This shot is a small sample of the collection of old trucks, cars, buses, vans, motorcycles and heavy machinery they have scattered around the property.

Parking Lot
HDR created from five bracketed photos processed in Photomatix v4. Post-processing in Paintshop Photo Pro X3, using Topaz Adjust / DeNoise.

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Evidence of Cat

For tonight’s post, I’m pulled out some unprocessed raw files from our last trip to Jerome.

Here’s a shot of one of the old abandoned cars that they have on display at the Gold King Mine ghost town.  I wish I could tell you what model year this Studebaker is, but I’ve never really been that good at identifying automobile models.  I was more interested in the paw prints in the dust on the windshield.

Evidence of Cat
HDR created from five bracketed photos processed in Photomatix v4. Post-processing in Paintshop Photo Pro X3, using Topaz Adjust / DeNoise.

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Dangerous Signs, Chair With Personality, and Modern Maturity

Wrapping up my series of images from the abandoned Black Canyon Greyhound Park in Black Canyon City, Arizona:

Although I still have quite a few images as yet unprocessed from last weekend’s adventure, I’ve quickly grown tired of the grungy, dirty chaos of the abandoned dog track.  Yes, it’s the perfect venue for getting some great HDR’s, but I can only stand so much depressing deterioration before I need to move on to something more uplifting.  So tonight, I give you three for the price of one:

Dangerous Signs

This shot was taken in the old restaurant location. The sun was just at the right angle through the window to create some nice shadows on the old shag carpet. The graffiti on the walls was a little intimidating, especially since part of it appears to have the markings of flame or smoke on the wall. I don’t think I would care to spend any time with whoever left their mark on the wall.

Dangerous Signs
HDR created from five bracketed photos processed in Photomatix v4. Post-processing in Paintshop Photo Pro X3, using Topaz Adjust / DeNoise.

Chair With Personality

This chair was sitting all alone on the old dirt race track, like someone had maybe used it to sit there in the evenings and watch the sun go down over the mountains to the west. I liked the way the chair’s design reminded me of the smiley face icon. 🙂

Chair with Personality
Single image processed in Paintshop Photo Pro X3 using Topaz Adjust / DeNoise.

Modern Maturity Circa 1991

We found these old magazines lying on the floor in the kitchen area of the old restaurant. If you look at the photo enlarged, you can see that the issue of Modern Maturity is from December 1990-January 1991. That would be after the facility was used as a racetrack, and maybe even after it was used for the swap meets. I heard that there was a caretaker that lived on the property for awhile after it was shut down. Maybe these magazines belonged to him.

Modern Maturity Circa 1991
HDR created from five bracketed photos processed in Photomatix v4. Post-processing in Paintshop Photo Pro X3, using Topaz Adjust / DeNoise.

I encourage anyone with an adventurous spirit to visit the dog track for some great photo ops (once again, don’t take the kiddos because it’s not a safe environment for them). But I’m feeling the need to look for some beautiful sunsets, some spring wildflowers, or some orderly graphic design.

After watching a series of how-to videos last weekend, the hubby and I have put together a small, inexpensive home lighting setup for photographing his handmade jewelry and lapidary work. Since the forecast calls for lots of rain tomorrow, I think it will be the perfect day for testing it out and hopefully learning a lot more about shooting close-ups with studio lighting.

Cool Chair

Continuing my series of images from the abandoned Black Canyon Greyhound Park in Black Canyon City, Arizona:

Decided to go with a black-and-white image for this evening’s post.  I was a little torn, because this chair is actually pink, but it’s pretty faded.  I decided that the monochrome gave a better “feel” of the shot:

Cool Chair
HDR created from five bracketed photos processed in Photomatix v4. Post-processing in Paintshop Photo Pro X3, using Topaz Adjust / DeNoise.

This shot was taken where the old restaurant used to be.  I like the little details like the sink drain sitting in the windowsill, right next to that wicked shard of glass.  If you’re interested in seeing more shots from this location, check out my posts from the past four days!

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Reservations

Continuing my series of images from the abandoned Black Canyon Greyhound Park in Black Canyon City, Arizona:

When we were at the dog track this past weekend, we found several ladders inside the building.  They didn’t look to be that old, and it didn’t dawn on me why they might be there until my husband saw the photos that evening, and he ventured a guess–copper wiring in the light fixtures.

I’m not sure why there was a reservation booth at the dog track, and I’m also not sure why there’s a big furniture sign there, unless they held a fixtures sale when the place closed.

Put all these elements together, and you get more questions than answers, but it makes a pretty good HDR image.

Reservations
HDR created from seven bracketed photos processed in Photomatix v4. Post-processing in Paintshop Photo Pro X3, using Topaz Adjust / DeNoise.

Normally I tend to increase the color saturation on my HDR shots, but in this case I actually reduced the saturation. I think the more subtle tones are more in keeping with the character of the place–bleak and desolate.

If you’re interested, I came across this video on YouTube that someone made while walking through the site.  It was uploaded to YouTube in January of this year, so it’s pretty close to what we saw when we were there.  It will give you a good idea of the sounds we heard–wind blowing, tile and glass crunching underfoot.  Check it out!

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Chair on Glass

Continuing my series of images from the abandoned Black Canyon Greyhound Park in Black Canyon City, Arizona:

After looking through all the images that I captured at the dog track, I have to say that UrbEx is not my favorite genre of photography.  Even though it provides some of the best opportunities for HDR processing, the environment itself is depressing, dark, dirty and possibly toxic.  Maybe that’s why my allergies are such a mess today.

But part of being a photographer is developing an “eye” to see beauty, or at least something interesting, where others see only the obvious.  Take this shot of a chair, for instance.

On the surface, it’s a broken, torn, rotten piece of furniture lying on a bed of broken glass and chipped floor tiles.

But my “eye” was drawn to the way the color of the chair coordinated almost perfectly with the color of the broken glass.  The pale greens have an almost soothing effect on the senses, helping soften the sharp points of the glass shards and the hard textures of the walls:

Chair on Glass
HDR created from five bracketed photos processed in Photomatix v4. Post-processing in Paintshop Photo Pro X3, using Topaz Adjust / DeNoise.

Can you see it? Can you see the beauty in the mayhem? Maybe I should go out looking for wildflowers this weekend–it might be time for a change of scenery.

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Take Your Seat and Watch Your Step

I love using my 28-300mm zoom lens with my Nikon D700, but I sometimes forget to take advantage of the great depth-of-field opportunities it provides, especially when I’m concentrating on capturing brackets for HDR processing.

Yesterday at the abandoned dog track, I actually remembered to play around with the focal length on the lens.  I lowered the height of the tripod to about knee-level, and then aimed the camera down the front row of seats in the “yellow” section.  I focused on one of the seats about a third of the way down the row, letting the other seats go slightly out of focus.  I was using a focal length of 92mm, at F/10.

These seats were positioned right in front of what used to be the huge plate glass windows looking out on the dog track.  The glass has been shattered, and quite a bit of it was lying in pieces right in front of these seats.  The late afternoon sun was at the perfect angle to give the seats a nice glow.  And since I shot a five-bracket series, I was able to retain the detail of the interior as well as the exterior of the grandstand:

Take Your Seat and Watch Your Step

I find that HDR processing is complicated a bit by using these shallow depths of field, because the areas that are purposely left out of focus can actually turn out worse during the HDR process. For instance, in this shot, I wound up with some obvious chromatic aberration along the mountain tops in the background. Probably should have spent some time trying to fix it, but hey, I was tired.

I’m still going through the rest of the shots and trying to decide which one I want to work on next. So much to choose from!

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